Active Filters:
Unique Durations: 1-3
Unique Accidentals: 2
Unique Notes: 11 - 15
Clear All Filters

Uploaders

edward.maurath
HWV1A2N23 - Ich kann nicht mehr verschuriegen
edward.maurath
1:26 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano as
Almira		 Treble 14 0 4 5 96%
Cembalo Continuo Treble 14 24 3 4 83%
Bass 14 1 3 3 78%
Viola 9 0 2 3 78%
Violin
1		 Treble 8 0 1 3 78%
Violin
2		 Treble 7 0 2 3 78%
Violoncello Continuo Bass 12 0 3 3 78%
Bassoon Continuo Bass 11 0 2 3 74%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
Handel: La March - D Major
edward.maurath
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Lute Treble 13 15 2 3 93%
Bass 17 32 3 5 100%
Bassoon Bass 12 3 2 5 100%
BSN Bass 15 2 1 5 100%
Kontrebaß Bass 15 0 1 5 100%
Oboe
1		 Treble 12 0 1 5 100%
Oboe
2		 Treble 13 2 3 5 100%
Vcl Bass 15 0 1 5 100%
Vla 12 3 2 5 100%
Vln Treble 15 39 3 5 100%
Trumpet
at concert
pitch		 Treble 12 1 1 5 75%
 
"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
1:31 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
Harpsichord Treble 10 0 1 3 100%
Bass 14 0 2 3 100%
Oboe Treble 13 0 3 7 100%
Treble 12 0 3 5 100%
Contrabasses Bass 14 0 2 3 100%
Viola 10 0 1 3 100%
Violoncello Bass 14 0 2 3 100%
Vn
1		 Treble 13 0 3 7 100%
Vn
2		 Treble 12 0 3 5 100%
Bass Bass 12 0 2 3 93%
Soprano 12 0 3 6 93%
Tenor 11 0 2 3 93%
Alto 12 0 3 4 87%
 
Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"
edward.maurath
2:03 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 18 4 5 100%
Bass 20 0 5 4 100%
Violoncello Bass 20 0 5 4 100%
Tolomeo 14 0 3 5 76%
Violini Treble 21 0 3 3 74%
Violoncellos Bass 14 0 2 3 71%
Violone Bass 14 0 2 3 71%